Unveiling the Past: Conversations with Harry Singleton III and the Role of Museums in Social Justice

The Reconstruct Newsletter

This article emerges from The Reconstruct, a weekly newsletter by Sojourners. In a world ripe for change, Mitchell Atencio and Josiah R. Daniels engage with individuals dedicated to envisioning and crafting a better future.

The State of Museums in a Shutdown

As I pen these words, the federal government is in shutdown mode, shuttering institutions like the Smithsonian and its vast repository of history. It seems, however, that many in the upper echelons of power are suffering little from the loss of access to these treasured resources. In the previous year, the Trump administration sought to manipulate the narrative within these museums to fit their agenda, demanding compliance and reducing funding. Notably, the Smithsonian’s National Museum of African American History and Culture has faced sharp criticism from those in power.

In the midst of this turmoil, I had a chance to speak with Harry Singleton III, the faith-based director of the International African American Museum. Singleton, a liberation theologian and son of a Baptist minister, offers insights into how faith intersects with museum work, particularly in a moment where historical truths are under siege.

Educating the Public Beyond Academia

Singleton’s transition from academia to public engagement stems from a deep-seated desire to educate. “After 25 years in academia, I see myself in a pedagogical role,” he explains. Yet, his platform has changed: “I’m no longer in the classroom; my audience is larger and more public-facing.”

His mission is clear: educating the public about not only the historical context of current societal issues but also the theological principles that shape our understanding of one another and our nation. Singleton’s approach blends curatorial work with community programs, showcasing a commitment to both education and activistic engagement.

The Call of Legacy

Growing up under the guidance of an activist parent, Singleton felt an intrinsic pull toward public history. His father was not just an educator but also an active social advocate involved with the NAACP, framing Singleton’s understanding of activism as both a familial and societal obligation. “I wanted to be part of an institution that cherishes African American struggle in history,” he asserts, highlighting a commitment to giving voice to historical figures and their narratives.

Defining a “First Voices Museum”

The International African American Museum positions itself as a “first voices museum,” emphasizing the need to not only tell history but also inspire modern-day activism. Singleton explains, “We’re not just in historic mode, but also in activist mode.” This focus sets the museum apart, encouraging the current generation to recognize their stake in both America and the world.

By aiming to educate about both the struggles and achievements of African Americans, the museum seeks to cultivate a sense of purpose among its visitors, letting historical figures resonate with contemporary issues.

Expanding the Concept of African American Experience

Singleton emphasizes the broader scope of the African diasporic experience, aiming to connect diverse narratives from the Caribbean, Africa, and beyond. He stresses that understanding this interconnectedness is crucial for people to appreciate the multifaceted nature of African culture and history, notably in a world where these stories often remain marginalized.

Liberation Theology in Action

Singleton’s work intertwines with his study of Black liberation theology, a framework that advocates for social justice grounded in faith. He articulates a vital understanding: “The faith of African Americans serves as a catalyst for justice.” By linking spirituality with activism, Singleton’s role at the museum seeks to ensure that the voices of liberation remain prominent and impactful.

Navigating Interfaith Conversations

Addressing the complexity of different faith traditions within the African American experience presents unique challenges. Singleton underscores the importance of interreligious dialogue and education: “We need to enhance understanding without allowing our differences to create divisions.” This dialogue aims not just to affirm various faiths but to highlight their collective experiences and struggles within the broader diasporic narrative.

Historical Accountability and Contemporary Relevance

Singleton’s entry into a leadership position came during a politically charged period marked by efforts to control historical narratives. He brings attention to the discomfort many white Americans feel regarding historical injustices rooted in racial tensions. “To move forward as a true democracy, we must confront our truths,” he insists, emphasizing that genuine democracy requires grappling with difficult conversations about race, history, and the present.

The Role of African American Religion in Social Discourse

Singleton posits that African American religion is uniquely positioned to address contemporary crises. By drawing upon a rich legacy of activism intertwined with spiritual conviction, these traditions offer essential insights into navigating present challenges. Singleton cautions against losing sight of the historical entanglement between faith and oppression, advocating for an honest examination of the past’s complexities.

Embracing Complexity in Conversations

As critical discussions about race and social justice unfold, Singleton recognizes the importance of addressing internal struggles within the Black community, particularly around patriarchy and heterosexism. His commitment to bringing these issues to light is evident, as he advocates for inclusivity and open dialogue about the multifaceted experiences of marginalized individuals.

“It’s not enough to focus solely on racial liberation,” he states, underlining the importance of intersectionality in discussions about identity, privilege, and systemic oppression.

Fostering Dialogue and Change

Singleton’s vision extends toward creating programs that elevate voices typically overshadowed in historical narratives. By promoting discussions that intertwine race, gender, and class, he aims to craft an inclusive environment where complex issues can be explored honestly.

Looking Toward the Future: A Beacon of Hope

With ambitious plans for upcoming exhibitions, Singleton expresses a commitment to using the museum as a platform to amplify African diasporic voices. His aspirations reflect a desire to remain relevant in today’s evolving landscape, striving to keep history alive and accessible, especially in times when narratives are threatened.

As he reflects on his mission, Singleton embodies a spirit of hope, ready to lead the museum into a future defined by enlightenment, activism, and unwavering commitment to truth.